As a praise and worship leader in my diocese serving at retreats, LifeTeen events, and conferences, I often come back to the same question:
How do we reach young Catholics in a world of endless scrolling, burnout, and spiritual noise?
“Corpus Christi,” a song from Le Concorde’s upcoming album, Second Mansions, offers one answer: Meet them where they are and point them toward Heaven.
Enter Blessed Carlo Acutis—the future patron saint of the internet. A teenager with a PlayStation, a deep love of the Eucharist, and a knack for coding, Carlo used his computer to evangelize for the Kingdom.
That’s the spirit “Corpus Christi” channels.
“Corpus Christi” is the brainchild of Stephen Becker, a Los Angeles-based composer, producer, and the creative force behind Le Concorde. His mission? To create music that’s as theologically resonant as it is sonically captivating.
The song is a shimmering synth-pop meditation on the Eucharist, wrapped in retro 8-bit visuals and sacramental symbolism. It’s a digital tribute to Blessed Carlo’s legacy—crafted for hearts scrolling in search of something real. And it delivers all that in under four minutes.
To bring this vision to life, Becker assembled a dream team of industry talent and faithful artistry:
At first glance, “Corpus Christi” might seem like a burst of gamer nostalgia—early 2000s Nintendo dressed in the warm fuzz of 1980s synth pads and lo-fi textures. But keep watching and it reveals something deeper: a pilgrimage of teenage faith, hope, and love.
The animation begins in young Carlo Acutis’ bedroom. It’s filled with “Easter eggs” that reflect his life, faith, and passions:
Once Carlo boots up Windows Media Player and launches into a frenzy of coding on his CRT monitor (90s kids, you’ll know what I mean), the screen transforms. We journey with him as he ascends a ladder, dodging pixelated demons, collecting grace-like power-ups, and receiving aid from angelic allies. A health bar even tracks his progress in the corner. Rather than collecting coins, Carlo is playing for Heaven.
At the climax, he reaches the summit and is welcomed by the radiant Sacred Heart of Jesus, the Eucharist, and the light of divine glory. The final frame? Carlo’s face glowing from within the computer screen, crowned with a golden halo.
At first listen, the lyrics of “Corpus Christi” might sound cryptic. But beneath the poetic phrasing lies rich theology and subtle nods to Blessed Carlo Acutis. Here’s a closer look at some of my favorite lines and what I’ve interpreted them to mean:
Flooded with the chemistry
Only made by agony
Tissue torn from yours
Is now a part of mine
These lines capture the mystery at the very heart of Catholic Eucharistic theology. It’s a poetic rendering of the doctrine of the Real Presence—Christ truly present, Body, Blood, Soul, and Divinity, in the Eucharist (Catechism of the Catholic Church, 1374). The “chemistry” born of “agony” evokes Christ’s Passion, where divine love poured itself out through suffering. The Eucharist is communion with the crucified and risen Christ—His very flesh becoming ours.
Carlo cataloging the signs
A clear tribute to Carlo Acutis. His digital archive—available online even today—has led countless people to rediscover the awe and reality of Christ in the Eucharist. This lyric roots the song firmly in Carlo’s mission: to help others see the divine mystery made manifest.
Corpus Christi
Entangle us across the divide
In the sacrifice
This refrain draws from the Communion of Saints—the belief that through the Eucharist, all members of the Church are mystically united. Not just those physically present at Mass, but the whole Body of Christ: the Church militant (us on earth), suffering (souls in purgatory), and triumphant (saints in heaven) (CCC 1474). The “divide” between heaven and earth, time and eternity, is bridged through the Sacrifice of the Mass.
Born originals but photocopies walking
A nod to one of Carlo Acutis’ quotes: All people are born as originals, but many die as photocopies.
This line critiques the pressure to conform—to mirror what’s popular, safe, or socially accepted—instead of pursuing the unique call God has placed on our lives.
No life in themselves, mama . . .
Drowning in self-help and staring back at themselves
When right downstairs the table is set for us
To come back home
In a world increasingly drawn to self-help culture and narcissism, Le Concorde offers a wake-up call. Without the Eucharist, we are spiritually starved. But the remedy is close: “right downstairs the table is set for us”—an image of the altar, the Mass, the feast of Jesus always waiting. The invitation is ever-present: return home to the Source and Summit of the Christian life (CCC 1324).
With its nostalgic pixel art and dreamy synth-pop score, Corpus Christi is a bold, beautiful expression of contemporary Catholic creativity. Here are five ways this music video can become a meaningful resource in Catholic ministry:
In the wake of Pope Francis’ passing, I’ve read much lately about his love for music and the arts. He listened to Mozart, tango, Piazzolla, and even some of Elvis’ gospel records. He used to wander record shops like any regular audiophile—flipping through vinyl song by song, artist by artist.
“Corpus Christi” makes me reflect—what would Papa Francisco have thought? I think the answer is clear. Pope Francis writes in Christus vivit:
We cannot just say that young people are the future of our world. They are its present; even now, they are helping to enrich it.
Pope Francis cherished music and had a special affinity for young people. I believe he would have welcomed Le Concorde’s mission to engage with youth in their digital language and touch their hearts.
For more on tech and evangelization, read our article: A Catholic Reflection on Technology and Faith.
Jesus, truly present in the Eucharist, lead us into wonder. May all creativity be consecrated, and may all beauty point back to You. Amen.
With over eight years of experience and a Bachelor’s in Creative Writing, Marge Hynes is a dynamic writer whose portfolio spans SEO-driven copywriting, journalism, and marketing—a versatile skill set that allows her to craft compelling content for Paloma & Fig’s projects.
Marge’s Catholic faith serves as the cornerstone of her work. She approaches storytelling with thoughtfulness and a deep appreciation for the Lord’s own creative power. Her love of the written word shines through in every project, helping clients articulate their message with clarity, heart, and purpose.
When she’s not writing, Marge can be found leading praise and worship, diving into theological books, or exploring the great outdoors with her loyal dog, Augustine (Auggie for short).
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Love this!!
This is lovely! Thank you for sharing.
Great article on how the arts can and should be used to evangelize through beauty!